This collection consists predominantly of numerous songs of many kinds from Lac du Flambeau, Wisconsin. The final recording in the collection is a set of four Ponca songs.

A compilation LP record of Native American musical and dance recordings made by Gertrude Prokosch Kurath at numerous locations from 1952 to 1954, published in 1956. Also includes a 20-page booklet with extensive background information, biographical info on the performers, explanations of songs, musical analysis, and sheet music.

Traditional and Christian songs in the Ottawa and Chippewa languages, recorded with numerous singers in multiple communities in Michigan in the mid-1950s. Recorded as part of Gertrude Kurath's broader study of contemporary religion and music among Anishinaabe communities in Michigan. Includes traditional songs, Catholic and Methodists hymns, and Free Methodist revival meetings, including some benedictions. Also includes one talk entitled, "Longfellow's Use of Michigan Indian Tales."

This collection consists of Ottawa songs, interviews, word lists, legends, Nanabojo stories, autobiographical stories, and information on Ottawa history. Some of the material is given in both Ottawa and English, some in Ottawa only. Recorded by Jane Ettawageshik in Michigan from 1947 to 1948.

The first section (Series I) of this recording collection consists of 13 episodes of the radio program "Red Man in Michigan," broadcast on WUOM radio in Ann Arbor, Michigan. These programs use extensive clips from field recordings made by Gertrude Prokosch Kurath, and cover a wide range of historical and contemporary topics directed to a general non-Native audience. Series II consists of tapes including Ottawa language hymns from a series of programs titled "Comparisons of Chippewa Revival Hymns, Michigan and Ontario, 1953-1962"; interviews on the organization of United Church, on the organization of Camp Meetings, on missionary experiences, especially at Perry Island and Moose Point, Ontario; recordings of powwows at Ann Arbor, Lansing, and Hastings, including some Kiowa performances by John Bosin; an interview with Jim Eagle Shaffer; and an interview with Anna Fulton, Douglas Fulton, and Bruce Fulton on socio-economic conditions and racial discrimination against Native people in Michigan.